Transformerless, large-diaphragm cardioid condenser microphone featuring the revered M7 capsule design. Engineered for ultra-clean, transparent sound with high sensitivity and extended dynamic range, the Microtech Gefell MT 71 S excels at capturing vocals and acoustic instruments – now in a streamlined, highly reliable solid-state format.

The Universal Audio Teletronix LA-2A Classic Leveling Amplifier is a meticulously crafted reissue of the legendary tube-driven optical compressor. Renowned for its smooth, natural compression and musical warmth, the LA-2A employs a unique electro-optical attenuator system that allows instantaneous gain reduction without introducing harmonic distortion. Hand-built in Universal Audio’s Custom Shop in Santa Cruz, California, each unit is point-to-point wired with components carefully selected for authenticity, delivering the iconic sound cherished by audio professionals worldwide.​

The Ultimate iD Interface!

High-performance 24‑in/32‑out USB‑C professional audio interface built for producers and engineers seeking studio-grade sound. The Audient iD48 features eight discrete Audient Console Mic Preamps (up to 68 dB gain), ultra‑clean 32‑bit ESS converter technology with 126.5 dB dynamic range, and Switchable Analogue Inserts for seamless outboard integration, the iD48 delivers pro-level fidelity, expandability, and workflow in a rugged rackmount format.

The FLEA M 251 FET is a solid-state reimagining of one of the most iconic microphones in studio history – the legendary ELA M 251. Offering the signature sound character of the original tube model with modern reliability, lower noise, and no need for an external power supply, the M 251 FET brings classic warmth and clarity together in a streamlined package.

Featuring a FLEA CK12 capsule, T14/1 transformer clone, and switchable polar patterns (cardioid, omni, figure-8), it delivers authentic tone without compromise.

Designed for the most demanding studios, the ProPatch 200R delivers 100 inputs and 100 outputs of software-controlled analog patching with absolute transparency in a 2U format. Ideal for mastering houses, scoring stages, and large facilities.

The ProPatch 64R is the perfect balance of size and flexibility, offering 32 inputs and 32 outputs in a 1U format. It delivers zero-coloration analog routing with full software control for small-to-mid sized studios.

The Lynx LT‑HD2 is a ProTools HD/HDX interface card designed specifically for the Aurora(n) converter line. Leveraging SynchroLock 2 clocking and enhanced FPGA resources, it enables seamless, plug‑and‑play integration with Pro Tools, supporting full channel counts up to 32 channels at 24-bit/192 kHz with identical latency and workflow to Avid HD I/O units.

*The LT-HD2 is not compatible with the classic (silver) Aurora or Hilo.